Sep 182013
 


Solo project Recorded at Miguel’s studio originally in 1997. Re-mixed in 2007.
Designed and programed with virtual instruments altered and created though computers. Composed and produced by Miguel Weissman.
Special guest; Yancy Drew lambert: bongos, Walter Pretty: guitar, Miguel: harmonica and flute.

Solo project Recorded at Miguel’s studio originally in 1997. Re-mixed in 2007.
Designed and programed with virtual instruments altered and created though computers. Composed and produced by Miguel Weissman.
Special guest; Donald Dixon Bass.

Sep 152013
 


Solo project Designed and programed with virtual instruments altered though computers, composed and produced by Miguel Weissman recordedd 2012

Solo project Designed and programed with virtual instruments altered though computers, composed and produced by Miguel Weissman recorded 2010
For now these are solo projects for films, but Miguel will create a album of Ambient music.

Miguel created this from photos he has taken in his travels around the world.

Miguel’s Travelogue

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Sep 152013
 

Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. The aim was to “resolve the previously contradictory conditions of dream and reality.” Artists painted unnerving, illogical scenes with photographic precision, created strange creatures from everyday objects and developed painting techniques that allowed the unconscious to express itself.

Surrealist works feature the element of surprise, unexpected juxtapositions and non sequitur; however, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost, with the works being an artifact. Leader André Breton was explicit in his assertion that Surrealism was above all a revolutionary movement.

Surrealism developed out of the Dada activities during World War I and the most important center of the movement was Paris. From the 1920s onward, the movement spread around the globe, eventually affecting the visual arts, literature, film, and music of many countries and languages, as well as political thought and practice, philosophy, and social theory.

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Sep 132013
 


Moose and the Builtproof Blues Band
Moose wrote the lyrics, Miguel composed and arranged the music with the Bulletproof blues Band. Mixed and co produced by Craig Randal At Brass Giraffe, recorded in 1995. Ellard-James Boles (Moose): bass and vocals. T: guitar, Earthen Allen: piano, Danny Cipriano: sax, Richie Johnson: drums Miguel Weissman: harmonica.
The Built Proof Blues Band was the house band at Chicago Blues {One of Manhattan’s biggest blues club in the 90’s}. They warmed up James Cotton, Junior Wells and Buddy Miles on new years eve three years in a row. Also the first electric band to performed at the 92nd street Y, they played at the UN and traveled all over the world for 6 years together.

Sep 122013
 


Miguel programed Mixed and produced this track at countdown Studios C 1999
Deep house is known for complex melody, use of unrelated chromatic chords underlying most sequences, and a soul, ambient, or lounge vibe to the vocals (if any). In the early compositions (1988—89), influences of jazz music were most frequently brought out by using more complex chords than simple triads (7ths, 9ths, 13ths, suspensions, alterations) which are held for many bars and give compositions a slightly dissonant feel. The use of vocals became more common in deep house than in many other forms of house music. Sonic qualities include soulful vocals (if vocals are included), slow and concentrated dissonant melodies, smooth, stylish, and chic demeanor.[citation needed] Deep house music rarely reaches a climax, but lingers on as a comfortable relaxing sound.

Sep 122013
 

The blues genre is based on the blues form but possesses other characteristics such as specific lyrics, bass lines, and instruments. Blues can be subdivided into several subgenres ranging from country to urban blues that were more or less popular during different periods of the 20th century. Best known are the Delta, Piedmont, Jump, and Chicago blues styles. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues-rock evolved.
The blues takes many forms… It is variously a feeling, a mood, a nameless threat, a person, a lover, a boss man, a mob, and, of course, the Devil himself. It is often experienced as both cause and effect, action and reaction, and it can be used as both hex and counterhex, poison and antidote, pain and relief. Most importantly, the blues is both the cause of song, and song itself”.

Hoboken Blues Alstars
Paul Zeichner: voice, Brother Dave: guitar and bass, Miguel Weissman: harmonica, Alan Camlet: drums and production and mixing at Hoboken Recorders recorded 2003.

Moose and the Built Proof Blues Band
Moose wrote the lyrics, Miguel composed and arranged the music with the Built Proof Blues Band. Mixed and co produced by Craig Randal At Brass Giraffe, recorded in 1995. Ellard-James Boles (Moose): bass and vocals. T: guitar, Earthen Allen: piano, Danny Cipriano: sax, Richie Johnson: drums Miguel Weissman: harmonica.

Hollow Log
Rich Cohen: guitar, Miguel Weissman: harmonica,recorded live at Miguel’s recording studio in 2006, we overdubbed a solo guitar track.

Hoboken Blues AlStars Produced and mixed in Miguel’s studio in 1997.
Miguel Weissman: Harmonica though a glass cup and piano. T guitar.

Hoboken Blues AlStars Produced, mixed and recorded at Miguel’s recording studio in 1987.
Miguel :vocals and harmonica, Joe Ruddic: piano, Mark Dane: guitar, Jeffery Allen bass, The Burning BrassJenny Hill: Saxophone, Nilda Richards: Trombone, Pam Fleming: trumpet. Bill Elder: drum programing,

Sep 112013
 

Wikipedia Americana refers to the studies of American culture, especially studies based in other countries American music is contemporary music that incorporates elements of various American roots music styles, including country, roots-rock, folk, bluegrass and blues, resulting in a distinctive roots-oriented sound.

The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and resonator guitar, Jon Verey: Mandolin, backing vocals and Jug, I overdubbed drums, the virtual acoustic bass, bass vocals, piano and played the harmonica during the original recording.

The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Jon Verey: Banjolyn and lead voice, Guillaume Goussault: guitar and backing voice. I added bass vocals and played the Harmonica.


The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and resonator guitar, Jon Verey: Mandolin, backing vocals and Jug, I overdubbed drums, the virtual acoustic bass, bass vocals, piano and played the harmonica during the original recording.

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