Americana/ Blues/ Jazz

 Americana, Blues, Funk, Gigs, Harmonica, Miguel Weissman  Comments Off on Americana/ Blues/ Jazz
Nov 172017
 

Rock Blues

Indestructible Voices
Written, arranged and produced by Dean Landew
Miguel Weissman: harmonica


 Moose and the Built Proof Blues Band

Runin With the Blues
 Miguel mixed and co produced with Craig Randal At Brass Giraffe, recorded in 1995. Moose wrote the lyrics, Miguel composed and arranged the music with the Built Proof Blues Band, 

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Americana

The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals on Juanita and resonator guitar, Jon Verey: Mandolin, Lead vocal on Lonesome train backing vocals and Jug, I overdubbed bass, Piano, drums and bass vocals, and played the harmonica during the original recording.


Lonesome Train

Acoustic blues

Rich Cohen Vocals and guitar. Miguel Weissman Mississippi Saxophone.
Recorded and mixed by Miguel in 2005.

Georgia

Some of These Days
Hollow Log, Recorded live by Miguel at his studio 2006.6. Rich Cohen: Vocals and guitar, Miguel Weissman: harmonica.

“That’s Alright”

Hollow Log

 Hot off the Zoom recorder {April 27th 2015}, our new project. In solo order is Miguel Weissman harmonica, Nick Russo slide resonator guitar and Brother Dave Likhtiger on acoustic guitar.


Quarter to twelve

Chicago blues

Hoboken Blues Alstars Alan Camlet: production and mixing at Hoboken Recorders recorded 2003. Paul Zeichner: voice, Brother Dave: guitar and bass, Miguel Weissman: harmonica, Alan Camlet: drums.


Blues witha Feeling
Moose

New with old Blues

Old Gentelmen
Miguel Weissman – harmonica, piano and Voice, Jon- Guitar, Jason Ewald – Drums. Miguel mixed, produced and wrote this tune.

 

Jazz
The Hot Clubbers New CD

Tears

Caravan

 

 Traditional

Progressive Greners

Mar 022014
 

Junior Wells 1993: “Your One Mother F*&^^%$EN Harp Player”!

Americana/ Blues/ Jazz World Music

Harmonica-Book-sample-copy

Harmonica Lessons though Skype, $45 per hour, Session work $250 per track and he only takes payment though paypal.

Miguel plays the Super 64 Chromatic and the Blue Moon Hohner Special 20’s Corian®. A Octave bass harmonica made by Huang. Miguel learned to customizes his harmonicas from one of the best, Richard Sleigh in-order to get a professional in-tune tone.

He has a book on harmonica{ contact for copy} and taught at the New School, created the New York harmonica club who hosted 20 classes with notable harmonica players, Annie Raines, Paul Oscher, Rick Estrin, they taught classes to a group of over 100 harmonica students.

Joe Havlock photographer

Dean Landew
Singer, Songwriter, Musician, Producer
“Miguel is the best harmonica player I’ve ever worked with. Not just the best blues player. The best harmonica player. His range is exceptional. He can switch styles on a moment’s notice, and he’s always willing to venture into whatever territory will enhance the piece of music he’s working on at the time. All this, and he’s a genuinely nice guy too.”

Marco Heiland
Private Instructor
”I met Miguel in 2008, when I was looking for a music and harmonica instructor. It was a unique experience. The lessons were the best I’ve ever had; the contents ranged from music history, production to actual playing instruction. The results I got were really great, and I have no words to thank him enough!”

Mark Tipton
Trumpeter, Composer, Music Educator
”Miguel Weissman is one of my favorite musicians to work with! His incredible harmonica playing, his vast knowledge of audio engineering and MIDI programming, and his vibrant creative spirit makes every encounter with him a joy, and a major learning experience. I highly endorse his work!”.

Richard Hunter
Harmonica instructor and musician
“I heard Dean Landew’s record “Indestructible Voices,” which features NYC-based Miguel Weissman on harmonica. Weissman is heavily featured, and this record plays like Springsteen with Magic Dick in the lineup. If you like rock harp, you’re going to eat this record up. Attaway to go Miguel!”

Sep 122013
 

The blues genre is based on the blues form but possesses other characteristics such as specific lyrics, bass lines, and instruments. Blues can be subdivided into several subgenres ranging from country to urban blues that were more or less popular during different periods of the 20th century. Best known are the Delta, Piedmont, Jump, and Chicago blues styles. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues-rock evolved.
The blues takes many forms… It is variously a feeling, a mood, a nameless threat, a person, a lover, a boss man, a mob, and, of course, the Devil himself. It is often experienced as both cause and effect, action and reaction, and it can be used as both hex and counterhex, poison and antidote, pain and relief. Most importantly, the blues is both the cause of song, and song itself”.

Hoboken Blues Alstars
Paul Zeichner: voice, Brother Dave: guitar and bass, Miguel Weissman: harmonica, Alan Camlet: drums and production and mixing at Hoboken Recorders recorded 2003.

Moose and the Built Proof Blues Band
Moose wrote the lyrics, Miguel composed and arranged the music with the Built Proof Blues Band. Mixed and co produced by Craig Randal At Brass Giraffe, recorded in 1995. Ellard-James Boles (Moose): bass and vocals. T: guitar, Earthen Allen: piano, Danny Cipriano: sax, Richie Johnson: drums Miguel Weissman: harmonica.

Hollow Log
Rich Cohen: guitar, Miguel Weissman: harmonica,recorded live at Miguel’s recording studio in 2006, we overdubbed a solo guitar track.

Hoboken Blues AlStars Produced and mixed in Miguel’s studio in 1997.
Miguel Weissman: Harmonica though a glass cup and piano. T guitar.

Hoboken Blues AlStars Produced, mixed and recorded at Miguel’s recording studio in 1987.
Miguel :vocals and harmonica, Joe Ruddic: piano, Mark Dane: guitar, Jeffery Allen bass, The Burning BrassJenny Hill: Saxophone, Nilda Richards: Trombone, Pam Fleming: trumpet. Bill Elder: drum programing,

Sep 112013
 

Wikipedia Americana refers to the studies of American culture, especially studies based in other countries American music is contemporary music that incorporates elements of various American roots music styles, including country, roots-rock, folk, bluegrass and blues, resulting in a distinctive roots-oriented sound.

The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and resonator guitar, Jon Verey: Mandolin, backing vocals and Jug, I overdubbed drums, the virtual acoustic bass, bass vocals, piano and played the harmonica during the original recording.

The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Jon Verey: Banjolyn and lead voice, Guillaume Goussault: guitar and backing voice. I added bass vocals and played the Harmonica.


The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and resonator guitar, Jon Verey: Mandolin, backing vocals and Jug, I overdubbed drums, the virtual acoustic bass, bass vocals, piano and played the harmonica during the original recording.

Aug 172013
 

Junior Wells 1993: “Your One Mother F*&^^%$EN Harp Player”!

These are Harmonica Sessions Miguel produced. He played the ‘Super 64 Chromatic”, Octave Bass Harmonica made by Huang and the ‘Ms Blues harmonica’ all made by Hohner. Miguel learned to customizes his harmonicas from one of the best, Richard Sleigh in-order to get a professional in-tune tone.

Mar 112013
 


The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and resonator guitar, Jon Verey: Mandolin, backing vocals and Jug, I overdubbed drums, the virtual acoustic bass, bass vocals, piano and played the harmonica during the original recording.
The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Jon Verey: Banjolyn and lead voice, Guillaume Goussault: guitar and backing voice. I added bass vocals and played the Harmonica.

Hollow log Produced, mixed and recorded at Miguel’s recording studio in 2009.
Rich Cohen: Guitar, we overdubbed a solo guitar track. Cassidy Hoden: bass fiddle. Miguel Weissman; harmonica.

The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Jon Verey: Mandolin, lead voice and jug. Guillaume Goussault: guitar and backing vocals. I overdubbed backing bass vocals, the virtual acoustic bass and played the harmonica during the original recording.

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Mar 112012
 

Hoboken Blues Alstars Alan Camlet: production and mixing at Hoboken Recorders recorded 2003. Paul Zeichner: voice, Brother Dave: guitar and bass, Miguel Weissman: harmonica, Alan Camlet: drums. Moose and the Built Proof Blues Band Miguel mixed and co produced with Craig Randal At Brass Giraffe, recorded in 1995. Moose wrote the lyrics, Miguel composed and arranged the music with the Built Proof Blues Band, Ellard-James Boles (Moose): bass and vocals. T: guitar, Earthen Allen: piano, Danny Cipriano: sax, Richie Johnson: drums, Miguel Weissman: harmonica. That’s Alright, Recorded live by Miguel at his studio 2006. Rich Cohen: Vocals and guitar, Miguel Weissman: harmonica. Hollow Log, Recorded live by Miguel at his studio 2006.6. Rich Cohen: Vocals and guitar, Miguel Weissman: harmonica. Hollow log, Recorded live by Miguel at his studio 2006. Rich Cohen: Vocals and guitar, Miguel Wissman: harmonica Hollow Log Recorded live at Miguel’s recording studio in 2006. Rich Cohen: guitar, we overdubbed a solo guitar track, Miguel Weissman: harmonica. Hoboken Blues AlStars Produced, mixed and recorded at Miguel’s recording studio in 1997. Miguel Weissman: harmonica though a glass cup and piano. T: guitar.

Jan 102012
 

Wikipedia Americana refers to the studies of American culture, especially studies based in other countries American music is contemporary music that incorporates elements of various American roots music styles, including country, roots-rock, folk, bluegrass and blues, resulting in a distinctive roots-oriented sound.

Americana


The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and resonator guitar, Jon Verey: Mandolin, backing vocals and Jug, I overdubbed drums, the virtual acoustic bass, bass vocals, piano and played the harmonica during the original recording.

The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and guitar, Jon Verey: Mandolin, backing vocals, Miguel: bass vocals and played the harmonica during the original recording.


The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Jon Verey: Banjolyn and lead voice, Guillaume Goussault: guitar and backing voice. I added bass vocals and played the Harmonica.

Blues

https://soundcloud.com/miguelweissman/old-gentelman
Miguel Weissman – harmonica, piano and Voice, Jon LaDeau – Guitar, Jason Ewald – Drums. Miguel mixed, produced and wrote this tune. When Moose comes into town for our small tour, he will replace my vocal.


Hot off the Zoom recorder {April 27th 2015}, our new project. In solo order is Miguel Weissman harmonica, Nick Russo slide resonator guitar and Brother Dave Likhtiger on acoustic guitar. our first rehearsal birth this.

Were also looking for a name, have some ideas, let me know!!!

Jazz


Soirée Django feat. David Langlois & The Hot-Clubbers
David Langlois washboard and percussion, Ian Riggs bass, Tim Clement guitar, Robert Cuellari guitar
Special guests:
Vitor Gonçalves accordion, Pooquette violin, Darius Scheider guitar, Miguel Weissman harmonica


Miguel Weissman harmonica, Nick Russo slide resonator guitar, Ian Riggs is on bass Fiddle for a-smo-o-o-oth-one.


The 36th Street Boys Recorded live at Miguel’s studio 20012
Demo not for sale, written by Will Hudson. Peter Ford on one string bass.

The Canglosi Cards, Jake Sanders and Tamar Korn and Miguel’s past gigs include opening the 2007 New Year’s Eve Show at the Grand Ballroom in Manhattan, Swing Out New Hampshire (’06, ’07,’08, ’09), the Washington D.C. Lindy Exchange (’08, 09’), The Big, Big, Event in Washington D.C. (’07).

Blues Harmonica

Jazz

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