Wikipedia Americana refers to the studies of American culture, especially studies based in other countries American music is contemporary music that incorporates elements of various American roots music styles, including country, roots-rock, folk, bluegrass and blues, resulting in a distinctive roots-oriented sound.
The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007. Guillaume Goussault: Lead vocals and resonator/ slide/ guitar, Jon Verey: Mandolin, Banjolyn, lead voice, backing vocals and Jug, I overdubbed drums, the virtual acoustic bass, bass vocals, piano and played the harmonica during the original recording.
Juanita { above} Guillaume Vox
Lonesome Train Jon Vox
You May Leave Guillaume Vox
The Dozen Jon Vox
Whats the Matter With the Mill? Jon Lead Vox, Guillaume Vox
Miguel Weissman vocals harmonica and piano, Brother Dave Likhtiger rhythm guitar and slide guitar. Jason Eward drums, Bob Srander Bass guitar and drum recording at Parcheesi Recording. Remastered by Craig Randall, Composition Armstrong/Weissman
copyrighted- Armstrong/Weissman
Miguel Weissman lead and backings Vocals, keyboards, harmonica, horns and arrangement , Brother Dave Solomon Likhtiger lead and rhythm guitar, Peter Maness Bass, Jason Eward drums, drums recording at Parcheesi Recording
The World Is Burning
Rhythm and lead guitars – Brother Dave, Piano – Dave Keyes, bass – Bob Stander, drums – Jason Ewald, Vocals, Harmonica, Music and production – Miguel Weissman.
“We Declare Peace”!
Nikki Armstrong – Vocals, Miguel Weissman harmonica, Horns and piano, Brother Dave Likhtiger rhythm & lead guitar, Pablo Vergara organ, Ian Riggs Bass guitar, Jason Eward drums. Backing Vocals – Nikki Armstrong, Julius Dilligard JR and Cheryl Dornbusch, Ben Anderson, {Bob Suede Recorded the backing vocals at his studio Suede Interactive]. Arranged, Produced and mastered by Miguel Weissman
We declare Peace Copyrighted 2021 Armstrong/Weissman All Rights Reserved
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Miguel Weissman composition harmonica and Keyboard { virtual guitars, drums} programming, Diego javier Cebollero lead and melodic Guitars Dave Solomon Likhtiger Dobro. , Lap Steel, Electric big cords, Rhythm guitars and Kato Aya piano, Peter Maness Bass, David Tannenbaum cymbals and toms..
Miguel Weissman harmonica, Nick Russo slide resonator guitar and Brother Dave Likhtiger on acoustic guitar.
Miguel Weissman Vocals and harmonica, Tree guitar.
Miguel Vocals, Keyboards and harmonica, Tree Guitar
Miguel Weissman vocals and harmonica, Pamela Fleming- trumpet , Jenny Hill – Saxophone, Nilda Richard -trombone, Marc Daine Dannenhirsch – Guitar, Joe Rudnick – Piano Donald Dixon- Bass, Bill Elder – Drums.
Miguel Weissman Mississippi saxophone, Nick Rousso and Michaela Gomez – guitars, Dave Speranza bass and David Langlois percussion and bushes.
Yes, I don’t smoke anymore…But if the gets legal here in jersey Monday I’ll have to resort to being a Secondhand Smoker – Dave Keyes vocals and piano, Greg Baker guitar, Miguel Weissman harmonica and horn arrangements, Shelly Robin Bass , Steve Robin drums, composition Baker/Weissman
Weissman Copyrighted 2020
Indestructible Voices Written, arranged and produced by Dean Landew Miguel Weissman: harmonica
Little Piece Of Heaven
Kris Mark RandallLittle Piece Of Heaven
Kris Mark Randall Vocals, guitar, and bass and composer. Miguel Weissman harmonica, Andy Bigan Drummer.
Blues With a Feelin’Hoboken Blues Alstars Alan Camlet: production and mixing at Hoboken Recorders recorded 2003. Paul Zeichner: voice, Brother Dave: guitar and bass, Miguel Weissman: harmonica, Alan Camlet: drums.Walking By My Self. Miguel Weissman Vocals { Treated} and harmonica, Tree guitar.
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Composer sound designer and producerand Educator Miguel composes, creates sound designs and produces music in a state-of-the-art recording studio using virtual instruments and harmonica for movies, TV, radio and theater.
For examples of Miguel’s theater sound designs, and detailed production creditsgo to sound designs.
For examples of ADR and sound designs created for those productions, go to video.
Member of the “top Reedsters Club” The Top Professional Harmonica players of the world.
Quotes; Junior Wells “ You is one Mother F##!%^^en harp player.”1994
Multi-Instrumentalist: Harmonica, Flute, Keyboards, Saxophone Miguel is best known as a harmonica player. He studied under the best in the business: James Cotton, Mark Hummel, Sonny Junior, William Galison and Howard Levy. Since his first jingle in the early ’80s, he has done countless sessions. carried a manhattan 802 union card for 10 years, with credits on TV, Radio and Film as well as music genres as diverse as Gyspy Jazz, Reggae, Blues, Americana, HipHop and Electronic.
Teaching harmonica: Taught harmonica at the New School from 1990-93, privately for 18 years. NYC Blues Harp Club 1993-2000 Founder: I created a teaching forum for famous harmonica players that were on road, to come in and teach to about 30 students.
I talk over the class with Amy students so it will be successfully. Every harp teacher that came to the NYC Blues harp club taught me a books worth! Harmonica, flute and recording production videos and a Harmonica book are available on request.
Some of the teachers were Annie Raines, Paul Oscher, Adam Gussow, Steve Guyger, Rick Estrin!
Music education/voice/flute/piano: Two years studying piano and music theory, privately with Chris Cheney. He has a Manhattan school of Music master degree. Two year studying Flute with Art Web and one year with Jean Cheney studying flute. A year of voice and phrasing lessons with Sam Harkners.
Major ScaleLong TonesHarmonica Stomp A & B
Harmonica Lessons though Skype, $55 per hour, Session work $250 per track and he only takes payment though paypal.
Miguel plays the Super 64 Chromatic and the Blue Moon Hohner Special 20’s Corian®. A Octave bass harmonica made by Huang. Miguel learned to customizes his harmonicas from one of the best, Richard Sleigh in-order to get a professional in-tune tone.
He has a book on harmonica{ contact for copy} and taught at the New School, created the New York harmonica club who hosted 20 classes with notable harmonica players, Annie Raines, Paul Oscher, Rick Estrin, they taught classes to a group of over 100 harmonica students.
Dean Landew Singer, Songwriter, Musician, Producer “Miguel is the best harmonica player I’ve ever worked with. Not just the best blues player. The best harmonica player. His range is exceptional. He can switch styles on a moment’s notice, and he’s always willing to venture into whatever territory will enhance the piece of music he’s working on at the time. All this, and he’s a genuinely nice guy too.”
Marco Heiland Private Instructor ”I met Miguel in 2008, when I was looking for a music and harmonica instructor. It was a unique experience. The lessons were the best I’ve ever had; the contents ranged from music history, production to actual playing instruction. The results I got were really great, and I have no words to thank him enough!”
Mark Tipton Trumpeter, Composer, Professor at New England Conservatory ”Miguel Weissman is one of my favorite musicians to work with! His incredible harmonica playing, his vast knowledge of audio engineering and MIDI programming, and his vibrant creative spirit makes every encounter with him a joy, and a major learning experience. I highly endorse his work!”.
Richard Hunter Harmonica instructor and musician “I heard Dean Landew’s record “Indestructible Voices,” which features NYC-based Miguel Weissman on harmonica. Weissman is heavily featured, and this record plays like Springsteen with Magic Dick in the lineup. If you like rock harp, you’re going to eat this record up. Attaway to go Miguel!”
The blues genre is based on the blues form but possesses other characteristics such as specific lyrics, bass lines, and instruments. Blues can be subdivided into several subgenres ranging from country to urban blues that were more or less popular during different periods of the 20th century. Best known are the Delta, Piedmont, Jump, and Chicago blues styles. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues-rock evolved.
“The blues takes many forms… It is variously a feeling, a mood, a nameless threat, a person, a lover, a boss man, a mob, and, of course, the Devil himself. It is often experienced as both cause and effect, action and reaction, and it can be used as both hex and counterhex, poison and antidote, pain and relief. Most importantly, the blues is both the cause of song, and song itself”.
Hoboken Blues Alstars
Paul Zeichner: voice, Brother Dave: guitar and bass, Miguel Weissman: harmonica, Alan Camlet: drums and production and mixing at Hoboken Recorders recorded 2003.
Moose and the Built Proof Blues Band
Moose wrote the lyrics, Miguel composed and arranged the music with the Built Proof Blues Band. Mixed and co produced by Craig Randal At Brass Giraffe, recorded in 1995. Ellard-James Boles (Moose): bass and vocals. T: guitar, Earthen Allen: piano, Danny Cipriano: sax, Richie Johnson: drums Miguel Weissman: harmonica.
Hollow Log
Rich Cohen: guitar, Miguel Weissman: harmonica,recorded live at Miguel’s recording studio in 2006, we overdubbed a solo guitar track.
Hoboken Blues AlStars Produced and mixed in Miguel’s studio in 1997.
Miguel Weissman: Harmonica though a glass cup and piano. T guitar.
Hoboken Blues AlStars Produced, mixed and recorded at Miguel’s recording studio in 1987.
Miguel :vocals and harmonica, Joe Ruddic: piano, Mark Dane: guitar, Jeffery Allen bass, The Burning BrassJenny Hill: Saxophone, Nilda Richards: Trombone, Pam Fleming: trumpet. Bill Elder: drum programing,
Junior Wells 1993: “Your One Mother F*&^^%$EN Harp Player”!
These are Harmonica Sessions Miguel produced. He played the ‘Super 64 Chromatic”, Octave Bass Harmonica made by Huang and the ‘Ms Blues harmonica’ all made by Hohner. Miguel learned to customizes his harmonicas from one of the best, Richard Sleigh in-order to get a professional in-tune tone.
The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and resonator guitar, Jon Verey: Mandolin, backing vocals and Jug, I overdubbed drums, the virtual acoustic bass, bass vocals, piano and played the harmonica during the original recording. The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Jon Verey: Banjolyn and lead voice, Guillaume Goussault: guitar and backing voice. I added bass vocals and played the Harmonica.
Hollow log Produced, mixed and recorded at Miguel’s recording studio in 2009.
Rich Cohen: Guitar, we overdubbed a solo guitar track. Cassidy Hoden: bass fiddle. Miguel Weissman; harmonica.
The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Jon Verey: Mandolin, lead voice and jug. Guillaume Goussault: guitar and backing vocals. I overdubbed backing bass vocals, the virtual acoustic bass and played the harmonica during the original recording.
Hoboken Blues Alstars Alan Camlet: production and mixing at Hoboken Recorders recorded 2003. Paul Zeichner: voice, Brother Dave: guitar and bass, Miguel Weissman: harmonica, Alan Camlet: drums. Moose and the Built Proof Blues Band Miguel mixed and co produced with Craig Randal At Brass Giraffe, recorded in 1995. Moose wrote the lyrics, Miguel composed and arranged the music with the Built Proof Blues Band, Ellard-James Boles (Moose): bass and vocals. T: guitar, Earthen Allen: piano, Danny Cipriano: sax, Richie Johnson: drums, Miguel Weissman: harmonica. That’s Alright, Recorded live by Miguel at his studio 2006. Rich Cohen: Vocals and guitar, Miguel Weissman: harmonica. Hollow Log, Recorded live by Miguel at his studio 2006.6. Rich Cohen: Vocals and guitar, Miguel Weissman: harmonica. Hollow log, Recorded live by Miguel at his studio 2006. Rich Cohen: Vocals and guitar, Miguel Wissman: harmonica Hollow Log Recorded live at Miguel’s recording studio in 2006. Rich Cohen: guitar, we overdubbed a solo guitar track, Miguel Weissman: harmonica. Hoboken Blues AlStars Produced, mixed and recorded at Miguel’s recording studio in 1997. Miguel Weissman: harmonica though a glass cup and piano. T: guitar.
Wikipedia Americana refers to the studies of American culture, especially studies based in other countries American music is contemporary music that incorporates elements of various American roots music styles, including country, roots-rock, folk, bluegrass and blues, resulting in a distinctive roots-oriented sound.
Americana
The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and resonator guitar, Jon Verey: Mandolin, backing vocals and Jug, I overdubbed drums, the virtual acoustic bass, bass vocals, piano and played the harmonica during the original recording.
The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and guitar, Jon Verey: Mandolin, backing vocals, Miguel: bass vocals and played the harmonica during the original recording.
The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Jon Verey: Banjolyn and lead voice, Guillaume Goussault: guitar and backing voice. I added bass vocals and played the Harmonica.
Blues
https://soundcloud.com/miguelweissman/old-gentelman
Miguel Weissman – harmonica, piano and Voice, Jon LaDeau – Guitar, Jason Ewald – Drums. Miguel mixed, produced and wrote this tune. When Moose comes into town for our small tour, he will replace my vocal.
Hot off the Zoom recorder {April 27th 2015}, our new project. In solo order is Miguel Weissman harmonica, Nick Russo slide resonator guitar and Brother Dave Likhtiger on acoustic guitar. our first rehearsal birth this.
Were also looking for a name, have some ideas, let me know!!!
Jazz
Soirée Django feat. David Langlois & The Hot-Clubbers
David Langlois washboard and percussion, Ian Riggs bass, Tim Clement guitar, Robert Cuellari guitar
Special guests:
Vitor Gonçalves accordion, Pooquette violin, Darius Scheider guitar, Miguel Weissman harmonica
Miguel Weissman harmonica, Nick Russo slide resonator guitar, Ian Riggs is on bass Fiddle for a-smo-o-o-oth-one.
The 36th Street Boys Recorded live at Miguel’s studio 20012
Demo not for sale, written by Will Hudson. Peter Ford on one string bass.
The Canglosi Cards, Jake Sanders and Tamar Korn and Miguel’s past gigs include opening the 2007 New Year’s Eve Show at the Grand Ballroom in Manhattan, Swing Out New Hampshire (’06, ’07,’08, ’09), the Washington D.C. Lindy Exchange (’08, 09’), The Big, Big, Event in Washington D.C. (’07).
