What’s new!

Big News, I hired Studio VU LLC to design my studio right! He did Cindy Lauper’s and Grand Master Flash’s recording studios as well as many other notable clients. I will have video and sound ready to record at a moment notice.

Eventually I will do podcasts and compose music. This is a project studio. not for hire. But, if you think you have something I would be interested in, Let me no in about two months {today is august 20th}.

Finally after some tuff physical recovery, I’m starting to practice again and will be taking lesson from Mark Hummel and others to improve my technique on the harmonica.

My Recording studio is almost completed, This will be a project studio to produce my music and other artist I want to collaborate with. No longer open to the public.

I am working on two new albums. I play in many different genres. And I work with many different bands.

So I decided to produce or co-produce these projects with new or original arrangements of tracks I like.

This includes the Brooklyners, two different blues projects, one with brother Dave, electric blues and jump swing. The other with Michaela Gomez and david langlois, prewar blues.

I’m also working on some electronic and worldbeat tracks.

Nikki Armstrong and Greg Baker and I are collaborating on lyrics.

I’m working with Bob Stander and Crag Randel to notable producers.

I’m also remixing two tracks, one is “the boat goes to the bottom” by zap mama and also a track by Afrika Bambaataa.

I’m collaborating with so many musicians that it would be silly to list them here for now.

But I’m looking forward to getting these done in a timely manner, the right way!

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I’m working with Nikki Armstrong co writing for her up coming album. We’re also working on a track called “We Declare Peace”!

I’m also working with Sarah Herliani Saputri from Indonesia and her partner on some cool fusion of Downtempo and some of their countries’s indigenous music.

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I plan on producing my first full length album this year too. This will focus on my harmonica and feature different groups that demonstrate the different genre and sound I’ve created the music.

Along with the new music written for these projects, I’ve invested in custom harmonicas from Blue moon harmonicas Custom Marine Band 1896, Corian Comb, Set up for Overblows and Overdraws, “Blues Tuning” and Custom Suzuki Manji, Corian Comb, Set up for Overblows and Overdraws, “Jazz Tuning” and Sydel harmonicas costumed by Greg Jones. And costuming two amplifiers and vintages microphones.

Amps-

1949 Epitome guitar Amplifier
Gibson GA 5 Skylark (1959)
Lone Wolf Harp Train 10
Space Tone 6V6 se Amp
ZT Lunchbox Acoustic 2-Channel Acoustic Guitar / Vocal Amplifier

Vintage Harmonica Microphones
– Astatic JT-30 & W30 B Series Brown Bullet & Brown Bisket
– RCA CX56A (vm828)
– Sure Bullet microphone
– Unidyne 3 5455

Pedals
– Boss direct box
– Hall of Fame Reverb TC Electronic
– Signal Pad Electro-harmonix
– The Squeal Killer
– Ten Ban EQ MXR
– PS-3 Digital Pitch Shifter/Delay
– Yellow Fall Delay

1949 Epitome guitar Amplifier

Here is some history I found: “Valco was a prolific manufacturer of guitars, guitar amplifiers, and other musical instruments from the 1940s through 1967”

“In the 1940s, Valco was formed by three business partners and former owners of the National Dobro Company; Victor Smith, Al Frost, and Louis Dopyera. The company name was a combination of the three partner’s first initials (V. A. L.) plus the common abbreviation for company (Co.).

Side Note; Brothers Louis, Robert and John Dopyera previously formed the Dobro Manufacturing Company in 1928. “Dobro” is both a contraction of “Dopyera brothers” and a word meaning “good” in their native Slovak language. An early company motto was “Dobro means good in any language.” (brother John invented the resonator guitar).

Valco manufactured Spanish acoustic guitars, metal-faced resonator guitars, electric lap steel guitars, and vacuum tube amplifiers under a variety of brand names including Supro, Airline, Oahu, National, and others. They also made amplifiers under contract for several other companies such as Gretsch, Danelectro, Harmony, Bronson, Dickerson, McKinney and Kay, and others. In the 1960s they began producing solid body electric guitars.

One of the oldest guitar amp companies on the planet.

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Ellard-James Boles (Moose) Bulletproof Blues Band

Ellard-James Moose Boles and The Bullet Proof Band will be making their way up to New Jersey/Bergen County for 4 shows…January 15th (Friday Night) 2016 at The GW Grill (2139 Hudson Terrace, Fort Lee) 9 Pm No Cover, 1/ 16, 2016 @ The Blue Moon, S.Amboy, N.J. and also Thursday January 21st at Ranchero Cantina (214 Kinderkamack Rd, Emerson NJ), 22/16 @ R & Bz, BAYONNE, N.J for a night of “Blues & Nothing But The Blues” and these guys are “The Real Deal”….Moose a former “Downtown Manhattan Blues Musician” and also former Lou (8 Years) Reed and Gregg Allman Band member and his unbelievable “Top Notch” band as well as many special guests expected at most “Moose Sightings” are sure to bring the house down!!!

Ellard-James Boles (Moose) is a veteran blues singer, writer and musician. He has played and recorded throughout the U.S., Canada and Europe with such legendary performers as Lou Reed, Greg Allman, Stevie Ray Vaughn, David Bowie, Buddy Miles, James Cotton, Lonnie Brooks, Junior Wells, C. J. Chenier, John Belushi, Steve Marriott, and Steve Miller.

Moose is of African-American, Native American (Choctaw and Cherokee), Cajun, and Georgia redneck descent. He discovered his love for music, specifically the blues, as a young boy. He sang in church choirs at age seven. He got his first taste of the blues from his father, a guitarist and song writer who had jammed with Muddy Waters.

He continues to perform and record extensively. He is currently touring with his Bulletproof Blues Band and invites all blues fans to experience his dynamic performances when ever the opportunity arises.

Moose and the Built Proof Blues Band’s Moving on was produced by Ellard-James and Miguel mixed and co produced with Craig Randal At Brass Giraffe, recorded in 1995. Moose wrote the lyrics, Miguel composed and arranged the music with the Built Proof Blues Band, Ellard-James Boles (Moose): bass and vocals. James “T”T illson: guitar, Earthen Steel: piano, Danny Cipriano: sax, Dan augmented Miguel’s horn lines with the harmonies, Richie Johnson: drums, Miguel Weissman: harmonica.

This Line up traveled from Europe and though the south, and were regulars all along the east coast. They were the first electric band to play at the 92nd street Y. For three years they were the house band at Chicago Blues and the 55 Bar where they warmed up for James Cotton, Buddie Miles, Junior Wells, Dave Maxwell and Clifton Chenier. The band had the honor to play at the UN, jamming with Eartha Kit on TV and having the dubious honor of being the last band to get payed at Dan Lynch before it closed!

Ellard-James Moose Boles, James Tillson and I { Miguel Weissman} played at a club in Fort Lee NJ in February 2015, Moose, Tee and I have been playing off and on for 25 years! We were joined by the talented Tom Cucchiara on drums. Playing with them was like sipping on a warn in pair of slippers. Molded to you foot, just the right amount to stink so no one else would where it, but it feels good! The very talented Nikki Armstrong came by and killed it! My buddy Nicholas Opalenik came by and helped with the sound.

At one point these two women were dirty dancing, the fell in into my lap, I was sitting down, just grazed my lip with my harp and mike! I lived to play another day!
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Chicago Blues

Sir Shadow FLOWETRY


FLOWETRY Recorded at Miguel’s recoding studio in 2010
Sir Shadow Spoken word, Miguel Weissman: programing and arrangement . Rich Cohen: guitar and co composition, Mark Tipton: Trumpet, Reverend Chris St. Hilare: real hi-hat.


FLOWETRY Recorded at Miguel’s recoding studio in 2013
Sir Shadow created the spoken word {FLOWETRY} and Miguel Weissman composed and programed this original track, special quest David Langlois: djembe.


FLOWETRY Recorded at Miguel’s recoding studio in 2010
Spoken Word by Sir Shadow, Miguel Weissman: piano drum programing, sound designs and arrangement, Jesse Selengut: Trumpet, Brian Petway: Bass.

FLOWETRY Recorded at Miguel’s recoding studio in 2010
Sir Shadow created the spoken word {FLOWETRY} and Miguel Weissman composed and programed this original track, Guest Vocalist Angie Brown.

FLOWETRY Recorded at Miguel’s recoding studio in 2010
Sir Shadow Spoken word, Miguel programing, harmonica and arrangements, Rich Cohen: guitar, Reverend Chris St. Hilare: organ, Guest Vocalist Romona.

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Blue Spirit disco mix


All music and production by Miguel Weissman except Donald Dixon bass. Yancy drew lambert bongos.
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Quarter to Twelve

Miguel Weissman – harmonica, piano and Voice, Jon LaDeau – Guitar, Jason Ewald – Drums. Miguel mixed, produced and wrote this tune. When Moose comes into town for our small tour, he will replace my vocal.

Hot off the Zoom recorder {April 27th 2015}, our new project. In solo order is Miguel Weissman harmonica, Nick Russo slide resonator guitar and Brother Dave Likhtiger on acoustic guitar. our first rehearsal birth this.

Were also looking for a name, have some ideas, let me know!!!

Ian Riggs is on bass Fiddle for a-smo-o-o-oth-one.

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Being that I have two masters working with me, were locking down the groves for this project. Looking to gig and later this year, record. We will be focusing on all types of Blues, Trad jazz, World beat, Gipsy Jazz, and funk such as The Meters. We will have repertoire to fill a night for all genres so if you want just blues, you get nothing but the blues!

Blues

Hoboken Blues Alstars Alan Camlet: production and mixing at Hoboken Recorders recorded 2003. Paul Zeichner: voice, Brother Dave: guitar and bass, Miguel Weissman: harmonica, Alan Camlet: drums. Moose and the Built Proof Blues Band Miguel mixed and co produced with Craig Randal At Brass Giraffe, recorded in 1995. Moose wrote the lyrics, Miguel composed and arranged the music with the Built Proof Blues Band, Ellard-James Boles (Moose): bass and vocals. T: guitar, Earthen Allen: piano, Danny Cipriano: sax, Richie Johnson: drums, Miguel Weissman: harmonica. That’s Alright, Recorded live by Miguel at his studio 2006. Rich Cohen: Vocals and guitar, Miguel Weissman: harmonica. Hollow Log, Recorded live by Miguel at his studio 2006.6. Rich Cohen: Vocals and guitar, Miguel Weissman: harmonica. Hollow log, Recorded live by Miguel at his studio 2006. Rich Cohen: Vocals and guitar, Miguel Wissman: harmonica Hollow Log Recorded live at Miguel’s recording studio in 2006. Rich Cohen: guitar, we overdubbed a solo guitar track, Miguel Weissman: harmonica. Hoboken Blues AlStars Produced, mixed and recorded at Miguel’s recording studio in 1997. Miguel Weissman: harmonica though a glass cup and piano. T: guitar.

Building post production studios

Floor-plan 2
Miguel has built many recording studios and video production houses {Mac and PC}.

He is always keeps up with the latest software and formats for music and video production.

Designs: He will design your studio from construction material {Sound proofing and tune rooms}, to software, Sound, video, lights and cable choices.

He will charge $2,400. This includes Phone consultations though Skype or on a phone and 3,  2 hour session at your studio and a architecture rendering.

He will work with you on a budget. He would need $400 for the meeting in person.

Americana/ Blues/ Jazz

Wikipedia Americana refers to the studies of American culture, especially studies based in other countries American music is contemporary music that incorporates elements of various American roots music styles, including country, roots-rock, folk, bluegrass and blues, resulting in a distinctive roots-oriented sound.

Americana


The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and resonator guitar, Jon Verey: Mandolin, backing vocals and Jug, I overdubbed drums, the virtual acoustic bass, bass vocals, piano and played the harmonica during the original recording.

The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Guillaume Goussault: Lead vocals and guitar, Jon Verey: Mandolin, backing vocals, Miguel: bass vocals and played the harmonica during the original recording.


The Second Fiddles Produced, mixed and recorded at Miguel’s recording studio in 2007.
Jon Verey: Banjolyn and lead voice, Guillaume Goussault: guitar and backing voice. I added bass vocals and played the Harmonica.

Blues

https://soundcloud.com/miguelweissman/old-gentelman
Miguel Weissman – harmonica, piano and Voice, Jon LaDeau – Guitar, Jason Ewald – Drums. Miguel mixed, produced and wrote this tune. When Moose comes into town for our small tour, he will replace my vocal.

Hot off the Zoom recorder {April 27th 2015}, our new project. In solo order is Miguel Weissman harmonica, Nick Russo slide resonator guitar and Brother Dave Likhtiger on acoustic guitar. our first rehearsal birth this.

Were also looking for a name, have some ideas, let me know!!!

Jazz

Soirée Django feat. David Langlois & The Hot-Clubbers
David Langlois washboard and percussion, Ian Riggs bass, Tim Clement guitar, Robert Cuellari guitar
Special guests:
Vitor Gonçalves accordion, Pooquette violin, Darius Scheider guitar, Miguel Weissman harmonica

Miguel Weissman harmonica, Nick Russo slide resonator guitar, Ian Riggs is on bass Fiddle for a-smo-o-o-oth-one.


The 36th Street Boys Recorded live at Miguel’s studio 20012
Demo not for sale, written by Will Hudson. Peter Ford on one string bass.

The Canglosi Cards, Jake Sanders and Tamar Korn and Miguel’s past gigs include opening the 2007 New Year’s Eve Show at the Grand Ballroom in Manhattan, Swing Out New Hampshire (’06, ’07,’08, ’09), the Washington D.C. Lindy Exchange (’08, 09’), The Big, Big, Event in Washington D.C. (’07).

Blues Harmonica

Jazz